Email Site Author Mark Schumacher Sign Up for Our Free Newsletter on Buddhist Statuary spacer
Follow on Social Media
My Wordpress Buddha Statues Blog Follow Me on Facebook Follow Me on Twitter Follow Me on Google + Follow Me on LinkedIn Follow Me on Youtube Free RSS Buddha News Feed 

Japanese Buddhism, Photo Dictionary of Japan's Shinto and Buddhist DivinitiesRETURN TO TOP PAGE of Japanese Buddhist Statuary A to Z Photo Library & Dictionary of Gods, Goddesses, Shinto Kami, Creatures, and DemonsCopyright and Usage PoliciesJump to Our Online Store Selling Handcrafted Statues
top line
spacer


QUICK START
Home: What's New
Buddha's Teachings
History & Timeline
Historical Buddha
Student's Guide
Teacher's Guide

DEITY GUIDES
Who's Who
Buddha
Bodhisattva
Myo-o
Shinto Kami
Shugendo
Stars & Planets
Tenbu (Deva)

OTHER GUIDES
About Site Author
Bibliography
Buddhism in Japan
Busshi Glossary
Carving Techniques
Cycle of Suffering
Drapery/Robe Guide
Mandala Guide
Mudra Guide
Objects Guide
Pilgrimage Guide
Shinto Guide
Statues by Artist
Statues by Era
Symbols Guide
Terminology

Buddhist-Artwork.com, our sister site, offers online sales of hand-carved wood Buddha statues.
Buddhist-Artwork.com, our sister site, offers online sales of hand-carved wood Buddha statues.

A TO Z INDEX
3 Element Stele
3 Monkeys
4 Bosatsu
4 Celestial Emblems
4 Heavenly Kings
5 (Number Five)
5 Elements
5 Tathagata
5 Tier Pagoda
5 Wisdom Kings
6 Jizo
6 Kannon
6 Realms
6 Nara Schools
7 Lucky Gods
7 Nara Temples
8 Legions
8 Zodiac Patrons
10 Kings of Hell
12 Devas
12 Generals
12 Zodiac Animals
13 Butsu (Funerals)
28 Legions
28 Constellations
30 Buddha of Month
30 Kami of Month
33 Kannon
About the Author
Agyo
Aizen
Amano Jyaku
Amida Nyorai
Apsaras
Arakan (Rakan)
Arhat (Rakan)
Ashuku Nyorai
Asuka Era Art Tour
Asura (Ashura)
Baku (Eats Dreams)
Bamboo
Benzaiten (Benten)
Bibliography
Big Buddha
Birushana Nyorai
Bishamon-ten
Bodhisattva
Bonbori Artwork
Bosatsu Group
Bosatsu of Mercy
Bosatsu on Clouds
Buddha (Historical)
Buddha Group
Buddha Statues
Busshi (Sculptors)
Calligraphy
Celestial Emblems
Celestial Maidens
Children Patrons
Classifying
Color Red
Confucius
Contact Us
Daibutsu
Daijizaiten
Daikokuten
Dainichi Nyorai
Daruma (Zen)
Datsueba (Hell Hag)
Deva (Tenbu)
Donations
Dosojin
Dragon
Drapery (Robes)
Early Buddhism Japan
Ebisu
Eight Legions
En no Gyoja
Estores
Family Tree
Footprints of Buddha
Fox (Inari)
Fudo (Fudou) Myoo
Fugen Bosatsu
Fujin (Wind God)
Fukurokuju
Gakko & Nikko
Gardens
Gigeiten
Godai Nyorai
Goddess of Mercy
Goddesses
Gongen
Gravestones
Hachi Bushu
Hachiman
Hands (Mudra)
Hell (10 Judges)
Hell Hag (Datsueba)
Hell Scrolls
Henge
Hikyu (Lion Beast)
Holy Mountains
Ho-o (Phoenix)
Hotei
Idaten
Inari (Fox)
Ishanaten
Ishidoro (Ishidourou)
Jikokuten
Jizo Bosatsu
Jocho Busshi
Juni Shi
Juni Shinsho
Juni Ten
Junrei (Pilgrimage)
Jurojin
Juuzenji
Jyaki or Tentoki
Kaikei Busshi
Kamakura Buddhism
Kankiten
Kannon Bosatsu
Kappa
Kariteimo (Kishibojin)
Karura
Karyoubinga
Kendatsuba
Kichijouten
Kitchen Gods
Kishibojin (Kariteimo)
Kitsune (Oinari)
Kokuzo Bosatsu
Koujin (Kojin)
Komokuten
Korean Buddhism
Koushin
Lanterns (Stone)
Links
Magatama
Making Statues
Mandara (Mandala)
Maneki Neko
Marishiten (Marici)
Miroku Bosatsu
Monju Bosatsu
Monkeys
Moon Lodges
Mother Goddess
Mudra (Hands)
Myoken (Pole Star)
Myo-o
Nara Era Art Tour
Newsletter Sign Up
Nijuhachi Bushu
Nikko & Gakko
Ninpinin
Nio Protectors
Nyorai Group
Objects & Symbols
Onigawara
Phoenix (Ho-o)
Pilgrimage Guide
Pottery
Protective Stones
Raigo Triad
Raijin (Thunder God)
Rakan (Arhat)
Red Clothing
Reincarnation
Robes (Drapery)
Rock Gardens
Sanbo Kojin
Sanno Gongen
Sarutahiko
Sculptors (Busshi)
Seishi Bosatsu
Sendan Kendatsuba
Seven Lucky Gods
Shachi, Shachihoko
Shaka Nyorai
Shape Shifters
Shichifukujin
Shijin (Shishin)
Shinra Myoujin
Shinto Clergy
Shinto Concepts
Shinto Kami
Shinto Main Menu
Shinto Sects
Shinto Shrines
Shishi (Lion)
Shitenno
Shoki
Shomen Kongo
Shotoku Taishi
Shrines
Shugendo
Siddhartha
Six States
Star Deities
Stone Gardens
Stone Graves
Stone Lanterns
Stones (Top Menu)
Suijin (Water Kami)
Symbols & Objects
Tamonten
Taishakuten
Tanuki
Temples
Temple Lodging
Tenbu Group
Tengu
Tennin & Tennyo
Tentoki or Jyaki
Terminology
Tiantai Art Tour
Tibetan Carpets
Tibet Photos
Tibetan Tanka
Transmigration
Ungyo
Unkei Busshi
Videos on Buddhism
Water Basin
Weapons
Wheel of Life
Yakushi Nyorai
Yasha (Yaksha)
Zao Gongen
Zen (Daruma)
Zen Art Tour
Zodiac Calendar
Zochoten

 


 
spacer

spacerHinamatsuri, Hina Matsuri, Dolls' Festival, Girls's Day
Hina Matsuri 雛祭 or 雛祭り
Doll Festival, Girls' Festival
 
ALSO KNOWN AS THE
Snake Festival, Peach Blossom Festival,
or Drinking Around a Rolling Stream Festival

Origin = Japan, but with Chinese Antecedents

Japan's Doll Festival has a very curious history, one largely forgotten in contemporary times. Held annually on the first day of the snake on the third day of the third month in the old lunar calendar (March three in modern times) since the mid-to-late Edo period (1600-1867), it was originally a day for ritual purification known in Japanese as Jōshi no Sekku 上巳の節句 (literally “Seasonal Festival of the Snake”) when people would rub their bodies with crude human-shaped figurines made of paper, straw, clay or wood. These figurines served as “scapegoats” for taking on (exorcising) the spiritual pollution and bad karma of the devotee (see below). The word for snake (Jōshi) sounds like the word for girl (Joshi 女子), so the festival eventually became a day devoted to girls. Today the festival is a major joyous event but not a national holiday. Geared towards girls -- the first sekku 節句 (seasonal festival) after the birth of a baby girl -- it is a day when charming dolls are set out for display to symbolize the family's wish that their daughter will be healthy, free from calamity and able to obtain a happy life with a good husband. Also called the Peach Festival or Momo no Sekku 桃の節句, as March is the season when peach flowers are in bloom.

Doll Collection of Keiko (Kamioka) Schumacher
The doll collection of Keiko (Kamioka) Schumacher

Yanagawa Hina Festival

Yanagawa Hina Festival. Yanagawa town 柳川地区, Fukuoka. Little girls in bright kimono ride on river boats for their first festival, while the reflections of sagemon (hanging ornaments unique to the Yanagawa region) glimmer on the river. Enjoy this colorful girls’ festival and its Japanese atmosphere. Sagemon are displayed until April 3. Photo and caption courtesy Fukuoka Now, Feb. 21, 2014.

 

Lingering Folk Beliefs
Most Japanese people today will tell you that these charming little dolls are meant to celebrate daughters and represent a prayer for their healthy growth and a happy marriage in the future. But this was not always so. Long ago, human-like figurines were utilized to exorcise evil spirits and absorb spiritual pollution (see below). These ritual dolls became more decorative over time and children would sleep with them (letting impurities be drawn out overnight) and the next day the dolls would be cast off into a river or the ocean. The extremely decorative and cute dolls used in modern times only became popular in the Edo period (1600-1867). They are no longer cast away but passed down from generation to generation as heirlooms. Based on Edo-era customs, the maternal grandparents presented the dolls upon the birth of their first grand daughter. Some Japanese today say you must PUT AWAY the dolls immediately after the Doll Festival. If a family fails to do so, it is said, its daughters will be unable to find husbands.

Despite these lingering folk beliefs, the Hina dolls are actually taken out and displayed in February at major department stores, while some families do it during the first week of March and keep them out for weeks thereafter. There seems to be no consensus on exactly when it is best to put them up or take them down. Customs continue to change as well. Even families without daughters or no children at all often display dolls, which are typically the wife's own Hina dolls. In any case, Japan’s younger generations are not generally worried about old superstitions about the best time to display or remove the dolls. For more details and photos, see Avi Landau’s blog.

Konosu Bikkuri Hinamatsui, Konosu, Saitama

More than 2,400 'hina' dolls are displayed for the Konosu Bikkuri Hinamatsuri (Konosu Surprising Doll Festival) on Wednesday (Feb. 19) at City Hall in Konosu, a Saitama Prefecture city with a doll-making history dating back to the Edo Period. Hinamatsuri, also known as Girls' Day, is celebrated every year on March 3. The festival will run until March 8. (Photo AFP-JIJI; caption Japan Times Feb. 21, 2014)

top of page

Odd Numbered Days, Japan’s Five Major Festivals
The Hina Matsuri in modern Japan is based on very old Chinese and Japanese traditions. In Japan, the third day of the third month is a day to perform ritual cleansing to exorcise evil spirits. People would rub their bodies with human-shaped figurines made of paper, straw, clay or wood. These were called Katashiro 形代 or Hitogata 人形 and were believed to have the power to absorb all spiritual pollution and bad karma. Other names for figurines are Amagatsu 天児 or Hōko 這子.

The Japanese imported most of their early culture and language from China. In Chinese cosmology, odd numbers are considered auspicious, and hence, Japan's five major festival days and celebrations are still held on odd days. This is known in Japan as Gosekku 五節句 (lit. = five seasonal festivals). The five main festivals of the old lunar calendar are:

  1. First month, first day = Kochōhai 小朝拝, New Year Celebration.
     
  2. Third month, third day = Kyokusui no en 曲水の宴, Drinking Around a Rolling Stream.
    Today known as the Doll Festival (Hina matsuri 雛祭) or Girls’ Festival 女子の節句.
     
  3. Fifth month, fifth day = Tango no sekku 端午の節句 or Boys' Festival.
    Today it is a festival for all children of both sexes.
     
  4. Seventh month, seventh day = Kikkōden 乞功奠 or Tanabata 七夕 Festival.
     
  5. Ninth month, ninth day = Chōyō no en 重陽の宴 or Feast of Chrysanthemums.

top of page 

Evolution of Japan’s Doll Festival (Hina Matsuri)

  • Jōshi no Sekku 上巳の節句 (original name for the Doll Festival in Japan). It literally means SEASONAL FESITVAL OF THE SNAKE, for the first day of the third month is the day of the snake. In China and Japan's old lunar calendar, this day occurred around March one (April one in today's solar calendar) and was thus also called Momo no Sekku 桃の節句 (literally Peach Blossoms Festival), for the peach trees are usually in full bloom at this time. On this day, people would perform symbolic ablutions or ritual cleansing to exorcise bad spirits. Such cleansing was performed by a pond or a river, with water and rice wine being used to cleanse the mouth, hands and feet.
     
  • Kyokusui no en 曲水の宴. In later centuries, the festival day was changed to the third day of the third month in Japan, and known as Kyokusui no En, literally "Drinking Around a Rolling Stream." Today this festival is know as the Hina Matsuri (Doll Festival for Girls, held on March three every year). The story goes: Chinese aristocrats used to hold poetry parties by artificial garden streams. A bowl would be floated down the stream with a cup of wine. Participants sitting at various points downstream would have to compose and recite a poem before the bowl reached them. This was an elegant and cultured festival game, played under the peach blossoms which bloomed in March (lunar calendar) or April (solar calendar). This custom was adopted by the aristocracts and noblity of Japan, probably in the Nara Period ( 710-794), when everything Chinese was the rage, and certainly by sometime in the Heian Period ( 794-1185). During the festival, they used tiny dolls figurines called Katashiro 形代 or Hitogata 人形, which they cast off into rivers or ponds, sending away impurities and bad luck and bad spirits.
     
  • Hinamatsuri 雛祭 or Doll Festival, March three every year. By the 16th or 17th century, the above traditions filtered down to the common people, who changed them into today's charming Doll Festival. This was done by word play. For example, the original festival name was Jōshi no Sekku (snake day), but the word for snake (Jōshi) sounds like the word for girl (Joshi 女子), so it became a day devoted to girls. The ritual dolls themselves then came to be more decorative, dressed in kimono etc., and children would sleep with them the night before they were cast off (letting impurities be drawn out overnight). From the literature of the 10th century, we also know that there were dolls for play (not for ritual use), which were called HIINA (at that time meaning “little things”), and were a male-female pair. It is possible that these were based on, or derived from the HITOGATA used for ritual purposes. It is the name of these play dolls, in shortened form HINA, which came to be used for the Peach Festival dolls (and thus we can see a blending of the two streams, the ritual dolls and the play dolls).

Doll Collection of Keiko (Kamioka) Schumacher; shown aside Buddha statues and small netsuke
The doll collection of Keiko (Kamioka) Schumacher

Katsu-ura Hinamatsuri Festival, Katsuura City, Chiba Prefecture

JAPAN KATSUURA HINAMATSURI FESTIVAL, March 3, 2012. TOKYO, March 3, 2012 (Xinhua) -- A mother and her girls pose in front of the dolls display on the day of the Hinamatsuri (Doll Festival) in Katsuura, Chiba Prefecture, Japan, on March 3, 2012. The Hinamatsuri (Doll Festival), which is also called Girls' Day, is celebrated in Japan on March 3 to pray for young girls. (Xinhua/Feng Wuyong)

top of page

First published = March 3, 2013
Updated March 3 and March 12, 2014

spacer
bottom bar

Copyright 1995 - 2014. Mark Schumacher. Email Mark.
All stories and photos, unless specified otherwise, by Schumacher.
www.onmarkproductions.com     |     make a donation

Please do not copy these pages or photos into Wikipedia or elsewhere without proper citation !