Email Site Author Mark Schumacher Sign Up for Our Free Newsletter on Buddhist Statuary spacer
Follow on Social Media
My Wordpress Buddha Statues Blog Follow Me on Facebook Follow Me on Twitter Follow Me on Google + Follow Me on LinkedIn Follow Me on Youtube Free RSS Buddha News Feed 

Japanese Buddhism, Photo Dictionary of Japan's Shinto and Buddhist DivinitiesRETURN TO TOP PAGE of Japanese Buddhist Statuary A to Z Photo Library & Dictionary of Gods, Goddesses, Shinto Kami, Creatures, and DemonsCopyright and Usage PoliciesJump to Our Online Store Selling Handcrafted Statues
top line
spacer


QUICK START
Home: What's New
Buddha's Teachings
History & Timeline
Historical Buddha
Student's Guide
Teacher's Guide

DEITY GUIDES
Who's Who
Buddha
Bodhisattva
Myo-o
Shinto Kami
Shugendo
Stars & Planets
Tenbu (Deva)

OTHER GUIDES
About Site Author
Bibliography
Buddhism in Japan
Busshi Glossary
Carving Techniques
Cycle of Suffering
Drapery/Robe Guide
Mandala Guide
Mudra Guide
Objects Guide
Pilgrimage Guide
Shinto Guide
Statues by Artist
Statues by Era
Symbols Guide
Terminology

Buddhist-Artwork.com, our sister site, offers online sales of hand-carved wood Buddha statues.
Buddhist-Artwork.com, our sister site, offers online sales of hand-carved wood Buddha statues.

A TO Z INDEX
3 Element Stele
3 Monkeys
4 Bosatsu
4 Celestial Emblems
4 Heavenly Kings
5 (Number Five)
5 Elements
5 Tathagata
5 Tier Pagoda
5 Wisdom Kings
6 Jizo
6 Kannon
6 Realms
6 Nara Schools
7 Lucky Gods
7 Nara Temples
8 Legions
8 Zodiac Patrons
10 Kings of Hell
12 Devas
12 Generals
12 Zodiac Animals
13 Butsu (Funerals)
28 Legions
28 Constellations
30 Buddha of Month
30 Kami of Month
33 Kannon
About the Author
Agyo
Aizen
Amano Jyaku
Amida Nyorai
Apsaras
Arakan (Rakan)
Arhat (Rakan)
Ashuku Nyorai
Asuka Era Art Tour
Asura (Ashura)
Baku (Eats Dreams)
Bamboo
Benzaiten (Benten)
Bibliography
Big Buddha
Birushana Nyorai
Bishamon-ten
Bodhisattva
Bonbori Artwork
Bosatsu Group
Bosatsu of Mercy
Bosatsu on Clouds
Buddha (Historical)
Buddha Group
Buddha Statues
Busshi (Sculptors)
Calligraphy
Celestial Emblems
Celestial Maidens
Children Patrons
Classifying
Color Red
Confucius
Contact Us
Daibutsu
Daijizaiten
Daikokuten
Dainichi Nyorai
Daruma (Zen)
Datsueba (Hell Hag)
Deva (Tenbu)
Donations
Dosojin
Dragon
Drapery (Robes)
Early Buddhism Japan
Ebisu
Eight Legions
En no Gyoja
Estores
Family Tree
Footprints of Buddha
Fox (Inari)
Fudo (Fudou) Myoo
Fugen Bosatsu
Fujin (Wind God)
Fukurokuju
Gakko & Nikko
Gardens
Gigeiten
Godai Nyorai
Goddess of Mercy
Goddesses
Gongen
Gravestones
Hachi Bushu
Hachiman
Hands (Mudra)
Hell (10 Judges)
Hell Hag (Datsueba)
Hell Scrolls
Henge
Hikyu (Lion Beast)
Holy Mountains
Ho-o (Phoenix)
Hotei
Idaten
Inari (Fox)
Ishanaten
Ishidoro (Ishidourou)
Jikokuten
Jizo Bosatsu
Jocho Busshi
Juni Shi
Juni Shinsho
Juni Ten
Junrei (Pilgrimage)
Jurojin
Juuzenji
Jyaki or Tentoki
Kaikei Busshi
Kamakura Buddhism
Kankiten
Kannon Bosatsu
Kappa
Kariteimo (Kishibojin)
Karura
Karyoubinga
Kendatsuba
Kichijouten
Kitchen Gods
Kishibojin (Kariteimo)
Kitsune (Oinari)
Kokuzo Bosatsu
Koujin (Kojin)
Komokuten
Korean Buddhism
Koushin
Lanterns (Stone)
Links
Making Statues
Mandara (Mandala)
Maneki Neko
Marishiten (Marici)
Miroku Bosatsu
Monju Bosatsu
Monkeys
Moon Lodges
Mother Goddess
Mudra (Hands)
Myoken (Pole Star)
Myo-o
Nara Era Art Tour
Newsletter Sign Up
Nijuhachi Bushu
Nikko & Gakko
Ninpinin
Nio Protectors
Nyorai Group
Objects & Symbols
Onigawara
Phoenix (Ho-o)
Pilgrimage Guide
Pottery
Protective Stones
Raigo Triad
Raijin (Thunder God)
Rakan (Arhat)
Red Clothing
Reincarnation
Robes (Drapery)
Rock Gardens
Sanbo Kojin
Sanno Gongen
Sarutahiko
Sculptors (Busshi)
Seishi Bosatsu
Sendan Kendatsuba
Seven Lucky Gods
Shachi, Shachihoko
Shaka Nyorai
Shape Shifters
Shichifukujin
Shijin (Shishin)
Shinra Myoujin
Shinto Clergy
Shinto Concepts
Shinto Kami
Shinto Main Menu
Shinto Sects
Shinto Shrines
Shishi (Lion)
Shitenno
Shoki
Shomen Kongo
Shotoku Taishi
Shrines
Shugendo
Siddhartha
Six States
Star Deities
Stone Gardens
Stone Graves
Stone Lanterns
Stones (Top Menu)
Suijin (Water Kami)
Symbols & Objects
Tamonten
Taishakuten
Tanuki
Temples
Temple Lodging
Tenbu Group
Tengu
Tennin & Tennyo
Tentoki or Jyaki
Terminology
Tibetan Carpets
Tibet Photos
Tibetan Tanka
Transmigration
Ungyo
Unkei Busshi
Videos on Buddhism
Water Basin
Weapons
Wheel of Life
Yakushi Nyorai
Yasha (Yaksha)
Zao Gongen
Zen (Daruma)
Zen Art Tour
Zodiac Calendar
Zochoten

 


 
spacer

Sogyo Hachiman in the form of a monk, Kyoogokuji Temple (Toji Temple), Kyoto
9th C., Sōgyō Hachiman 僧形八幡
Lit. = Hachiman in the form of a monk.
Chinjū Hachimangū Shrine 鎮守八幡宮
and Kyōōgokokuji Temple 教王護国寺
(aka Tōji Temple 東寺 in Kyoto)
H = 109.9 cm, Painted Wood 彩色像
Designated National Treasure
PHOTO: Temple catalog

Sogyo Hachiman at Yakushiji Temple in Nara
9th C., Sōgyō Hachiman 僧形八幡
Lit. = Hachiman in the form of a monk.
Painted Wood, H = 38.8 cm, at
 Jiyasugaoka Hachimangū 休ケ岡八幡宮,
the shrine protecting Yakushi Temple
(Nara). Designated National Treasure.
PHOTO: Yakushiji Temple

Tsurugaoka Hachimangu Name Board (Hachi formed with two doves)
Hachimangu 八幡宮 Nameboard
Hachi 八 is written with  two doves

spacer
Hachiman (Japanese spelling)
Hachiman & Hachimangū Shrines
Shintō Kami, Protector of Warriors and the Community at Large
God of Archery and War, Shintō Deity Who Adopted Buddhism
Great Bodhisattava Hachiman, Hachiman Daibosatsu 八幡大菩薩


THIS IS A SIDE PAGE
Return to Shintō Shrine Guide


Hachimangū Shrines 八幡宮 are devoted to the Shintō deity (kami 神) Hachiman 八幡, but some also venerate the lengendary 3rd-4th century emperor of Japan, Emperor Ōjin 応神 (Ojin), who was identified with Hachiman around the 9th century. The Hachiman cult can be traced back to the late 6th century at Usa Hachimangū 宇佐八幡宮 shrine in Ōita Prefecture, where the deity played an oracular function and exhibited attributes of both Shintō animism and Korean shamanism. It was only later, sometime in the 9th century, that the deity became associated with Emperor Ōjin, and later still that Hachiman became worshipped as the god of archery and war, ultimately becoming the tutelary deity of the Minamoto clan and its famed warrior Minamoto Yoritomo 源頼朝 (1147-1199), founder of the Kamakura shogunate.

PHOTOS AT RIGHT. Among the earliest statues of Hachiman in Japan, these pieces served as prototypes for the subsequent development of Hachiman statuary.

Hachiman can also be read YAWATA. It literally means “eight banners” or “eight banderoles,” which supposedly fell from heaven in legends involving the birth of Emperor Ōjin. Important early Hachimangū shrines deify Emperor Ōjin, Ōjin’s mother Empress Jingū 神功, and Ōjin’s wife Himegami 比売神 (aka Nakatsuhime 仲津姫, Ōjin’s spouse depicted as a deity). From the late 8th century, Hachiman was also considered a Bodhisattva, and thus served as protector in both Shintō and Buddhist traditions. Extant artwork of this Shintō deity often shows him dressed in the garb of a Buddhist monk -- thereby symbolizing his acceptance of Buddhism and clothing him in the syncretic Kami-Buddha matrix that defined most of Japan’s religious history.

Today there are approximately 30,000 Hachimangū shrines nationwide, with the head shrine at Usa Hachimangū in Ōita -- where Ōjin (Ojin), Jingū (Jingu), and Himegami were first enshrined. The Tsurugaoka Hachimangū Shrine 鶴岡八幡宮 in Kamakura is another prestigious Hachiman shrine. The latter was moved to its current location in 1183 by Minamoto Yoritomo, Japan’s first Shōgun (Shogun) 将軍, who had seized power from the emperor and nobility, established the shogunate (military government) in Kamakura in 1185, and adopted Hachiman as the tutelary deity of the new warrior class. Based on period records, Ōjin’s symbolic animal and messenger is the dove. This iconography is maintained by the Tsurugaoka Hachimangu shrine in Kamakura, where the name board atop its foremost shrine building includes two doves (which form the character HACHI 八 (see photo). The architecture of Hachimangū shrines (Hachiman Zukuri 八幡造) is also distinct. See JAANUS for details.

 

Jump to Top of Page

Metamorphosis of a Diety: The Image of Hachiman in Yumi Yawata
Story by scholar Ross Bender, appearing in the Summer 1978 edition
of the Monumenta Nipponica, Volume XXXIII, Number 2. Pages 165-178.
Bender explores the development of the Hachiman cult in Japan, pointing out that Hachiman’s role as deity of the Minamoto clan and deity of the warrior class was a comparatively late development. In the first phase, near the end of the sixth century, Usa Hachimangū 宇佐八幡宮 shrine in Ōita Prefecture (northeast Kyushu) was the center of the Hachiman cult, and the deity played an oracular function. By 750 AD the shrine enjoyed great power and prestige, and the pronouncements of its medium had great impact on state affairs. The deity was essentially an amalgamation of Shinto animism and Korean shamanism. In the second phase, beginning in the late 8th and early 9th centuries, Hachiman was awarded the status of Bodhisattva, and became a guardian deity, a protector god, in the Buddhist pantheon. He was known as the Great Bodhisattava Hachiman (Hachiman Daibosatsu 八幡大菩薩). In the mid-9th century, the Iwashimizu Hachimangū 石清水八幡宮 shrine was built at Otokoyama, south of Kyoto, to bring Hachiman closer to Kyoto to protect the emperor. During this period, Hachiman is also associated with the sovereigns Jingū and Ōjin, perhaps, says Bender, “to integrate the god more closely with the imperial institution by making him an imperial ancestor. In the third phase, around the end of the 12th century, Hachiman was adopted by the Minamoto clan as their tutelary deity and guardian deity of the warrior class.

Hachiman in Guise of Buddhist Monk, 1201 AD, Todaiji Temple (Nara), Height 87.5cm, made by Kaikei
Hachiman 神道の神様八幡 (by Kaikei)
Hachiman as a Buddhist Monk.
Painted Wood. H 87 cm. Dated +1202.
Todaiji (Tōdaiji) Temple 東大寺.
Photo Courtesy Temple Catalog.

spacerMore on Hachiman from scholar Ross Bender:
  • See Bender’s 1980 dissertation    for Columbia University entitled "The Political Meaning of the Hachiman Cult in Ancient and Early Medieval Japan.
     
  • Says Bender in the Premodern Japanese Studies Forum*   “It should be kept in mind that Hachiman was and is a Shinto deity and that while the kami manifests in various guises, fundamentally Hachiman is a Shinto kami. The Tamukeyama Hachiman 手向山神社 shrine to the east of Todaiji Temple is not as well-known as it might be, but it is the guardian deity of Todaiji and the Nara Daibutsu 奈良大仏 (Big Buddha of Nara). Although its present location dates from 1237, it is the heir of the shrine built when Hachiman came to Nara in Tempyo Hoji 1 (8th century). The shrine festival is the Tegai-e 手掻会 (or Tenkai-e 転害会), held on October 5, and I believe it is the only time the famous statue of Sogyo Hachiman (see photo at right) in the Hachiman-den on the Todaiji grounds is available for viewing. The shrine itself should not be missed although often is when visiting Nara. Some recent photos of the shrine are here.” <end quote from Bender>

Jump to Top of Page

Hachiman in Guise of Buddhist Monk, 1201 AD, Todaiji Temple (Nara), Height 87.5cm, made by Kaikei
Sōgyō Hachiman 僧形八幡
Lit. = Hachiman in the form of a monk.
Tōdaiji Temple, Nara, by Kaikei, 1201 AD, H = 87 cm. Photo:
Web-Japan

spacerMore on Tōdaiji Temple’s Famous Statue
Says Web-Japan.org: “Hachiman is a popular Shintō deity who protects warriors and looks after the people's well-being. He has been one of the most widely revered deities in Japan since the Nara period, claiming much respect from both the high-placed and the lowly. Already since the early Heian period he was sometimes sculpted as a deity in the guise of a Buddhist monk (Sōgyō Hachiman 僧形八幡). Some say he is Bishamonten, the Buddhist deity of war and protector of Buddhism, in disguise.

It is known from an ink inscription found inside the hollow body that this image was made by Kaikei in 1201 as the main object of reverence at Hachimangu Shrine, which was built near Tōdaiji Temple (Nara) to give it added divine protection. At first glance it looks like a sculpture of a high-ranking Buddhist priest, but the halo 光背 (kōhai) behind it indicates that it is the image of a deity. The general atmosphere is one of solemnity. The clothing is represented in a simple way and the original colors are still vivid and attractive.” <end quote from Web-Japan.org>

 

Jump to Top of Page

Sōgyō (Sogyo) Hachiman 僧形八幡
Courtesy JAANUS:   “One of the most popular Shinto deities, who is shown in the form of a Buddhist monk and who protects warriors and the community at large. Sometimes identified as the Emperor Oujin 応神 and accompanied as a statue by Oujin's mother Jinguu 神功 and Nakatsuhime 仲津姫, his spouse as a deity. The first extant sculptures of Hachiman date from the late 9th century (Kyouougokokuji Temple 教王護国寺, aka Touji Temple 東寺 in Kyoto), and from these through to images of the Heian period, he is always shown with a shaven head in the robes of a monk. Typically he is holding the cane of a monk (shakujou 錫杖) and is seated on a pedestal. The reason for this pose is obscure, though several suggestions have been made. One is that he was intended to resemble Amida 阿弥陀 but his identification with Amida is only known from a later time. Another idea is that he was made to look like Jizou 地蔵 but his cult was not connected with that of Jizou. The most plausible suggestion is that his appearance as a monk reflects the sincerity of his adoption of Buddhism. From the late 8th century, Hachiman was called Great Bodhisattava Hachiman (Hachiman Daibosatsu 八幡大菩薩). Hachiman's appearance at this time is perhaps less remarkable given that at the time many nobles were becoming monks and nuns. Sōgyō Hachiman were being made even after the Heian period, and by the 13th century other Shinto gods (kami 神) were also shown as Buddhist monks in paintings.” <end JAANUS quote>

Hachiman, Two Shinto Goddesses,  Kyoogokukuji Temple (Toji Temple)
9th Century, Sōgyō Hachiman Shin 僧形八幡神 and Joshinzasō 女神座像
Hachiman in the form of a monk, with two Shintō Goddesses
Treasures: Chinjū Hachimangū Shrine 鎮守八幡宮, which protects
Kyōōgokokuji Temple 教王護国寺 (aka Tōji Temple 東寺) in Kyoto
Center: Hachiman H = 109.9 cm; Left Himegami 比売神 (aka Nakatsuhime 仲津姫, Ōjin’s spouse)
Right Ōtarashihime 大帯姫 (Jingūgōgō 神功皇后)
Painted Wood 彩色像, Designated National Treasures, PHOTO: Temple catalog

Hachiman with two Shinto Goddesses, Yakushiji Temple
9th C., Sōgyō Hachiman Shin 僧形八幡神 and Joshinzasō 女神座像
Hachiman in the form of a monk, with two Shintō Goddesses
Treasures: 休ケ岡八幡宮, a shrine protecting Yakushiji Temple (Nara)
Painted Wood, Center Hachiman H = 38.8 cm, Designated National Treasure
Left Jingūgōgō 神功皇后 and Right Nakatsuhime 仲津姫命, Height 36.1 cm
PHOTO: Yakushiji Temple

Jingugogo, Shinto Goddess Hachiman Natatsuhime (Himegami), Japanese Shitnoism and Buddhism
11th Century, Sōgyō Hachiman Shin 僧形八幡神 and Joshinzasō 女神座像
Treasures: Natagu Shrine 奈多宮, Oita Prefecture
Center Hachiman, Wood, Height 54.2 cm, Ichiboku Zukuri Technique
Left Jingūgōgō 神功皇后, H 48.5 cm
Right Himegami 比売神 (aka Nakatsuhime 仲津姫, Ōjin’s spouse), H 55.8 cm
Designated National Treasures, PHOTOS courtesy this
J-Site

Jump to Top of Page

hachiman-museum-of-boston-TN
The Shinto Deity Hachiman in the Guise of a Buddhist Monk
In the collection of the Museum of Fine Arts, Boston
Japanese, Kamakura period, dated 1328
Japanese cypress with polychrome and inlaid crystal; joined woodblock construction
Height = 82.3 cm, Maria Antoinette Evans Fund and Contributions

Jump to Top of Page

Below text by Kondo Takahiro
The Shirahata sub-shrine (at Tsurugaoka Hachimangu Shrine in Kamakura) was built by Masako Hojo in 1200. Shirahata means "White Flag" and white was the color of the Minamoto clan's banner. This sub-shrine is dedicated to the memory of Minamoto Yoritomo (founder of the Kamakura Shogunate) and Minamoto Sanetomo 源実朝 (1192–1219; second son of Minamoto Yoritomo; third shogun of the Kamakura shogunate; last heir of the Minamoto clan of Japan). When he died, so too did Minamoto's blood line. However, it does not venerate Sanetomo’s sibling Yoriie. Yoriie was Masako’s second son and the second Shogun. Historical records show that he was at odds with his mother. <end quote from Kondo Takahiro>

During the Kamakura Era, Tsurugaoka Hachimangu Shrine was a mixture of both Shinto and Buddhism elements, highlighting the syncretic approach of Yoritomo Minamoto (1147-1199) and his claim to the lineage of the Imperial Family. In bygone days, a statue of Yoritomo was enshrined here. Hideyoshi Toyotomi (1536-1598), another warlord and ruler of Japan, visited this shrine in 1590 AD, and reportedly said: "You and I are the real heroes of Japan," stroking Yoritomo's statue on the shoulder. The statue is now kept at the Tokyo National Museum in Ueno (Tokyo).

After the Meiji Imperial Restoration of 1868, the Emperor regained imperial sovereignty (replacing the shogunate), and the new government institutionalized Shinto as the official state religion while implementing restrictive policies against Buddhism and other religions, including Christianity. Tsurugaoka Hachimangu Shrine, during that time, was forced to remove and/or thrown away all structures and objects associated with Buddhism. For more on Shinto history, please visit the Main Shinto Page. 

Minamoto Family Crest Minamoto Family Crest at Shirahata sub-shrine inside Tsurugaoka Hachimangu Shrine
The crest (sasarindō 笹龍謄) of the Minamoto family is
emblazoned  on the pillars of the Shirahata sub-shrine

Shirahata Shrine, 1200AD, inside the Tsurugaoka Hachimangu Shrine, Kamakura City
Entrance to Shirahata Sub-Shrine at
Tsurugaoka Hachimangu in Kamakura

Yoritomo Minamoto at Genjiyama in Kamakura
Statue of Yoritomo Minamoto at Genjiyama Park in Kamakura. Click image for larger photo.

Jump to Top of Page

Hachiman - Japanese Shinto God of War. Text courtesy japan-101.com
Hachiman was the guardian of the Minamoto clan of samurai. Minamoto no Yoshiie, upon coming of age at Iwashimuzu Shrine in Kyoto, took the name Hachiman Taro Yoshiie and through his military prowess and virtue as a leader, became regarded and respected as the ideal samurai through the ages. His descendant, Minamoto no Yoritomo, became shogun and established the Kamakura shogunate in the late 12th century. Yoritomo rebuilt Tsurugaoka Hachiman Shrine in Kamakura and started the reverence of Hachiman as the guardian of his clan.

Throughout the Japanese medieval period, the worship of Hachiman spread throughout Japan among not only samurai, but also the peasantry. So much so was his popularity that presently there are more shrines, numbering over 30,000, in Japan dedicated to Hachiman than any other kami. Usa Shrine in Oita prefecture is head shrine of all of these shrines and together with Tsurugaoka Hachiman Shrine and Iwashimuzu Shrine, are noted as the most important of all the shrines dedicated to Hachiman. <end quote>

Jump to Top of Page

Crest of Hachimangū Shrines
Says the Encyclopedia of Shinto (Kokugakuin Univ.): "The swirling tomoemon 巴文 served as the crest of Hachiman shrines, and it spread widely in the medieval period as the result of the frequent dedication (kanjō 勧請) of Hachiman shrines by warrior families.” <end quote>

Tomoe crest at Tsurugaoka Hachimangu Shrine, Kamakura, Japan
Tomoe crests adorn the roofs at Tsurugaoka Hachimangu Shrine (Kamakura, Japan)

Tomoe
Single Right Tomoe; Double Left Tomoe: Triple Right Tomoe (courtesy JAANUS)

Says JAANUS about the Tomoe: The character tomoe 巴 means eddy or whirlpool; however, it is not clear if this was the original idea of the design. Some scholars are convinced that it stems from the design on leather clothing worn by ancient archers (tomo 鞆 thus tomo-e 鞆絵), a tomo picture. Others say it was originally a representation of a coiled snake. It may be the oldest design in Japan, because it is similar in shape to the magatama 勾玉 beads of the Yayoi period. It appears as a design on the wall paintings of the Byoudouin Hououdou 平等院鳳凰堂 (1053; Kyoto) and in the Illustrated scroll of the Tale of Genji (Genji monogatari emaki 源氏物語絵巻) of the early 12c. It was widely used from the Kamakura period onward and is often found on utensils, rooftiles and family and shrine heraldry. Its frequent appearance in connection with Shinto shrines indicates that it was thought to express the spirit of the gods. Patterns of one, two and three tomoe exist, some facing left, others right. <end quote>

Jump to Top of Page

RESOURCES

Jump to Top of Page

THIS IS A SIDE PAGE
Return to Shintō Shrine Guide

spacer
bottom bar

Copyright 1995 - 2013. Mark Schumacher. Email Mark.
All stories and photos, unless specified otherwise, by Schumacher.
www.onmarkproductions.com     |     make a donation

Please do not copy these pages or photos into Wikipedia or elsewhere without proper citation !